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Winter 2003
When celebrities, high rollers and certified whales hit Vegas,
they all call the Mandalay Bay's Richard Wilk
By Rob Wiser, Portraits by Joe Picket III
Vegas Magazine
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I'd
split the Big Apple and relocated to Vegas, eager to
embrace a new lifestyle of high stakes, fast women and
extra dry martinis. But the plan for reinventing myself
in the swingin' style of a young Dean Martin -- parading
through Sin City's dice joints with a showgirl on each
arm, doubling down till dawn and then retiring to the
Rain Man suite -- had been doused by an ice-cold
bucket of reality.
On Saturday nights I'd throw on my best suit and hit
the blackjack tables, only to see my rent money wiped
out before I could score a free drink. Instead of dining
on filet mignon and single-malt Scotch, I was standing
in line wit the fannypackers for the $5.99 buffet. While
the movers and shakers partied with the beautiful babes,
I was stuck on the wrong side of the velvet rope.
I needed juice. I needed to get connected. I needed
to know a guy like Richard Wilk.
Richard is a senior casino host. To hold this title at
one of the Strip's hottest resorts is to possess the ultimate
backstage pass, to preside over a world in which wait
lists, cover charges and velvet ropes don't apply. A fourth
dimension where nightclub doormen practically fall over
themselves whisking you past the line into the plush VIP
rooms never glimpsed by average mortals. Where strip-club
goddesses ask you for your phone number.
Richard's job is to take care o the casino's most important
customers. After a stint at the Hard Rock he's now with
Mandalay Bay, the billion-dollar colossus with the golden
facade that anchors the southern end of the Strip. The
sprawling casino floor contains a lavish high-limit salon,
where the big shots think nothing of betting an everyman's
salary on a turn of the cards. There's the members-only
Foundation Room, a spectacular VIP sanctuary looming high
above the Strip where corporate kingpins mingle with pro
athletes and rock stars. There are nightclubs packed with
knee-weakening women, a list of restaurants as long as
your arm, and a pool with an 11-acre manmade beach. It's
one of Sin City's grandest stages, the type of joint he
was born to work.
I
met Richard when he was with the Hard Rock. I had no use
for a host -- I'd just burned through the contents of
my wallet in another of my furious four-minute blackjack
sessions -- and a host had even less use for me. But Richard
and I got to talking and hit it off. A few weeks later,
I joined him for lunch and told him I wanted to document
the life of a top host, explore the other level of Vegas
where he plies his trade.
He said that in order to paint an accurate picture I'd
need to start hanging with him on the VIP scene. I was
one step ahead of him on that idea. All he had to say
was where and when.
The next night, I found myself in the company of Richard
and a half-dozen young NFL stars, barreling down the Strip
in a convoy of SUV limos. Our destination was Light, the
ultrachic nightclub inside the Bellagio. Our posse sliced
through the crown like a Ginsu blade and was received
like royalty: up the private elevator, down a dark, mirrored
hallway, ushered to our spot next to the dance floor.
Within minutes, our booth resembled an island amid a sea
of women trying to get next to us, as the wait staff scrambled
to replenish our bottles of chilled Grey Goose.
Throughout, Richard loomed nearby, chatting with a constant
stream of well-wishers, but always keeping one eye on
us. Making sure his people were being taken care of. I
glanced his way and he flashed me a grin that said, Welcome
to the big time. I wasn't planning on going home anytime
soon.
Back in the Rat Pack days, your average host was a white-haired
suit who started in the trenches as a dealer, eventually
got kicked up to pit boss, and wound up a host since he'd
known all the casino's regular customers since the dawn
of time. Richard epitomizes the new breed: 35 years old,
razor-sharp, armed with a marketing degree and ambition
to burn. His vide is old-school Italian: genuine, gracious,
but clearly not a guy you'd want to tangle with. With
his leading-man good looks, and fullback's build, he cuts
a striking figure as he stalks through the casino. At
the Hard Rock, he sported a goatee and dressed in hipster
black; at Mandalay Bay he made the switch to immaculately
tailored suits, the diamond ring sparkling on his pinkie
giving him a dash of Vegas Wiseguy.
It's no surprise Richard was tapped to arrange a party
for the cast of The Sopranos; in his world, as in theirs,
respect is the name of the game. He treats you right,
you reciprocate, and then you aren't a customer -- you're
a friend. Spend enough time in his casino and you're family.
He has a Sinatraesque charisma, an aura that makes you
feel special just being around him. One night he's organizing
a bash for Eminem; the next he might be squiring around
a pal like Mike Piazza or Joe Pesci. Nights often conclude
with a trip through the rear VIP entrance of the Crazy
Horse Too, Vegas' hottest strip club.
Taking care of people seems wired into his DNA. Raised
in Canada, he got hooked on martial arts as a kid and
was working the door at Toronto's biggest nightclubs by
age 18. He worked as a stuntman for film and television
productions that came to town, his first exposure to celebrities.
"They trusted me because I wasn't gaga over them,"
he says. "I treated 'em like normal people."
He underwent Special Forces training and segued into the
bodyguard business, eventually heading up his own "executive
protection team." They quickly became known as Toronto's
finest, guarding acts such as Aerosmith and the Stones
when their tours came to town. He declines to give details
or name names, but let's just say other security jobs
involved the top brass at the biggest software company
in the world, and a former U.S. President who had an ill-advised
fling with an intern.
Soon he would be watching backs in a different sense.
He took his first host job in Atlantic City with the famed
Sands Casino, once the stomping ground of Ol' Blue Eyes
himself. Hungry for bigger action, he made the move to
Sin City to work at the Monte Carlo. One day, Matt Damon
and Edward Norton showed up to check out the poker scene,
having just wrapped their cardsharp movie, Rounders,
and when they told Richard they wanted to scope out the
Hard Rock he put in a call to RJ Demman, then the Hard
Rock's top host. Richard brought them over to meet him,
he and RJ struck up a friendship, and when RJ moved up
to vice president of casino marketing, he brought Richard
to the Hard Rock to fill his old spot.
The Damon/Norton anecdote illustrates Richard's approach
to customer service, Vegas-style. While 21st-century casinos
are designed to keep customers under one roof for the
duration of their stay -- lest they gamble their money
elsewhere -- he takes a more pragmatic stance. "It's
inevitable. They're going to go somewhere else to play,"
he says. "Why not send them to a buddy of yours who's
not going to try to steal them?"
Casino presidents, managers and hosts all over town roll
out the red carpet for Richard's customers, knowing he'll
do the same when they send theirs to Mandalay Bay. Some
hosts are notorious for poaching players from other properties;
Richard doesn't play that game.
Becoming a friend of the family isn't as difficult as
you might think; you don't need to pack a whale-sized
bankroll or have an Oscar on your resume. All a player
needs to do is call mandalay Bay and get him on the line,
or stop by for an introduction. If they've played at a
different casino in the past, Richard can call them, get
their playing history, and start comping them in the manner
to which they're accustomed. New players' information
is entered into a computer, and from that point on, the
casino and Richard track their play to determine the level
of free luxury for which they qualify. Anything they've
already shelled out -- for rooms, meals, even plane fare
-- can be reimbursed if their action is strong enough.
"If you're confident you're a player, you won't care
what the rate is," he says. "That part of the
game people don't understand."
Play big enough, and with a host like Richard you have
Vegas on a string. Front-row seats to the Elton John and
Billy Joel show? Consider it done. Your wife wants to
go shopping? The limo's waiting out front; we'll pick
up the tab. A suite during the craziest we're completely-booked-up
weekend of the year? It can be arranged.
Richard's relationships with his players can get deep;
bonds form fast in this turbocharged, high-stakes world.
He ensures comfort and privacy in the place they come
to leave it all behind, to take Lady Luck for a whirl
and forget their worries. Unlike their agents, coaches,
lawyers or wives, he's the one face they always look forward
to seeing. "It's like Cheers, where everybody knows
your name," is the way Richard describes the vibe
-- though in this world, the booze is strictly top-shelf,
there's no last call, and Cliff and Norm would fall off
their barstools if they got a load of the ladies.
In the end, the casinos see a hell of a lot more losers
then winners; if the house didn't have the edge, this
neon jungle never would have sprung forth from the desert.
He says the highest compliment of all is when one of his
players has a tough weekend at the tables but still goes
home wearing a smile. And despite what you may think,
he's pulling for them to win. While some casinos give
their hosts a percentage of their customers' losses --
and independent contractors known as "whale hunters"
earn their money by steering gamblers into a particular
casino -- Richard opts for a salary and bonuses based
on performance. He figures it would be disingenuous to
wish you good luck and then hope you burn through a fortune.
During a busy week he might work 16 hours at a clip, seven
days straight. He's always ready for the high roller jetting
in from Malaysia, the movie star who just wrapped shooting,
the 5 a.m. call from a gang of boozed up big shots wanting
a table at an after-hours club. Maintaining a personal
life outside the casino isn't easy -- while his fiancé
understands the demands on his time, his beloved pair
of Labradors still have a hard time coping.
It's noon on a Sunday and we're lunching in the casino
cafe. After another dawn patrol on the VIP circuit, I'm
nursing a hangover that would kill a rhino; Richard, unaffected,
is fueling up for his next tour of duty. "The worst
thing you can do as a host is let your customer meet me,
because my service and integrity are unmatched,"
he tells me. "Your best bet in Vegas is on me."
Then his cell phone blows up for the third time this minute.
This time it's an NBA giant who's about to hop on a plane
and wants to stay a couple of days. He'd heard from a
friend that Richard Wilk is the guy to see in Vegas.
While Richard chats with him about arrangements, he shoots
a smile at a gaggle of curvaceous cuties walking by. "Hi
Richard," they coo, breaking up into giggles. They
give me a lingering look as they walk past, trying to
place my face -- breaking bread with Richard, I must be
somebody.
And for the first time since I hit this crazy town, I
feel like I am. I realize I have a touch of Dino in me
after all. Maybe it's because I finally found my Frank.
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